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Paul Robeson, Malcolm X, and Martin Luther King Jr. were militant activists who shared common ground as heroic civil rights icons and left their marks on West Philadelphia.

Contemporary color photo of the colorful Broadway façade of what was once home to the Audubon Ballroom.

Malcolm X is the second iconic civil rights activist with an imprint on West Philadelphia. He belongs to a radical civil rights tradition that links him with Paul Robeson and Dr. Martin Luther King Jr. Part IV looks at Malcolm’s break with Elijah Muhammad and the Nation of Islam, his turn to Pan-Africanism, and the events leading to his assassination at Harlem’s Audubon Ballroom.

Black and white photo from 1965, a massive indoor venue with thousands of Nation of Islam followers. The foreground to center of the photo shows several hundred women wearing white abayas, seated in folding chairs. A banner hung in the far-left balcony reads THERE IS NO GOD BUT ALLAH AND MUHAMMAD IS HIS PROPHET.

Malcolm X is the second iconic civil rights activist with an imprint on West Philadelphia. He belongs to a radical civil rights tradition that links him with Paul Robeson and Martin Luther King Jr. Part III looks at Malcolm’s meteoric rise in the Nation of Islam in the mid-1950s, his role for a time as Elijah Muhammad’s presumptive heir, and his 1960s drift to militant political activism in violation of Nation of Islam dogma.

Color photo highlights the wall-enclosed prison facility, shown in the left-to-right center of the image, in its woodland location, with a river flowing just beyond the rear wall. The rest of the photo shows some unidentifiable low buildings enclosed by woods.

Malcolm X is the second iconic civil rights activist with an imprint in West Philadelphia. He belongs to a radical civil rights tradition that links him with Paul Robeson and Martin Luther King Jr. Part II looks at Malcolm Little’s prison conversion to the version of Islam practiced by the Nation of Islam and his decision to become Malcolm X.

Black and white photo of Malcolm X in 1964. Shown smiling and relaxed, he stands at a microphone. He wears a light gray-tone suit or sports coat, with a dark tie. He has closely cropped hair, is clean shaven, and wears glasses.

In the 1950s, Malcolm X was the national representative of Elijah Muhammad’s Nation of Islam (NOI). In the 1960s, he became a harsh critic of Elijah’s personal failures and NOI’s rigidly separatist and starkly apolitical theology. In the last years of his life, he converted to orthodox Islam and advocated for pan-Africanism. He is remembered in West Philadelphia as minister of Muhammad Temple of Islam #12.

Nighttime color photo of Royal Albert Hall shown in floodlights. A freestanding domed building of iron and glass, designed in an Italianate style, the building’s interior amphitheater is a world-famous concert hall. Red brick dominates the building’s façade.

Part IV focuses on the final chapter of Paul Robeson’s eventful life when his myriad leftist political activities and stated views resulted in a deliberate and largely successful campaign by federal agencies, mainstream media, and other hostile critics to erase him from historical memory. Robeson was compelled to live out his remaining days in relative obscurity and declining health.

Black and white photo. Paul Robeson stands at microphones that are positioned on a podium on a raised stage. A banner that reads PROGESSIVE PARTY NATIONAL CONVENTION hangs from a wire. People below the stage are moving about doing various things. A policeman wearing sunglasses stands near the stage.

Part III focuses on Paul Robeson’s campaigns on many humanitarian fronts in the face of sustained persecution by the federal government (not to mention white supremacists) and suspension of his U.S. passport in the 1950s. His true Achilles heel, for which he was reviled as a traitor by mainstream media, was his publicly expressed loyalty to the U.S. Communist Party, his sustained admiration for Russia, and his silence on the murderous actions of the Soviet dictator Joseph Stalin.

Black and white photo of Paul Robeson, shown in the foreground standing beneath a palm tree beside a young African American man who is a volunteer with the International Brigade in the Spanish Civil War. Robeson wears a light-colored suit with vest, striped tie, and English cap. The volunteer wears a dark, buttoned jacket. In the background is a Spanish colonial-style building with a white-wood balcony railing.

Paul Robeson, Part II, focuses on the artist as a revolutionary. In the decade before World War II, he stood against racism, fascism, and colonialism, and campaigned relentlessly for social justice and human rights for all oppressed peoples. He paid particular attention to African independence movements, the struggle against U.S. Jim Crowism, and what Robeson perceived as a racially tolerant Soviet Union.

Black and white photo portrait of adult Paul Robeson, wearing a dark suit, white shirt, and white-speckled dark tie.

Paul Robeson was the best known African American of the first half of the 20th century. He was famous as an All-American football player, the world’s finest bass-baritone singer of his time, a pioneering black theatrical and screen actor, and a tireless political activist. He advocated throughout the world for socialism, anticolonialism, and human rights for all oppressed peoples, irrespective of race, religion, or ethnicity. He spent the final decade of his remarkable life in West Philadelphia at 4949 Walnut Street.

Drexel University and its development partner Wexford Science & Technology leveled the property on which University City High School stood and built in its place the following: 1) a two-story school building, home to two high-performing, small public schools—the Samuel Powel Elementary School & the Science Leadership Academy Middle School (SLAMS); 2) the 14-story Drexel Academic Tower, home to the College of Nursing & Health Professionals. 

The financially strapped School District of Philadelphia closed University City High School in 2013; the District sold the campus to Drexel University in 2014; Drexel demolished the high school in 2015.  

Spirited academically based community service projects of the late 1990s at University City High School honored the memory of the Black Bottom.

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